The Tuneables is an award-winning children's music education DVD and CD series designed to teach the key building blocks of music at a critical time in a child's development.  Sponsored by the Music Intelligence Project, this fun, interactive program engages children in songs and activities that provide a foundation of music understanding and growth in intellectual development. Ages 3-8.

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To help prepare your child for active music instruction and learning, play recordings of music by Mozart and others as a background for other activities and rest time when the child is very young.

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Singing in the Key of D is Best for the Young Child

Young children sing in tune best when the first several songs they learn are in the key of D.  This key places the child's voice in the optimal singing range, neither too high nor too low, for controlling the pitch. Learning to sing in tune is the fundamental performance skill needed for successful tonal learning.

The pitch "D" above middle "C" is frequently the lowest pitch that is sung consistently in tune by young children without forcing the tone. A successful introduction to song singing is through two-note songs on the tones D and F-Sharp (DO and MI) in the key of D major. This provides the opportunity to sing in a comfortable range, match pitch patterns that are easily learned, and begin developing understanding and an "ear" for the primary tones of the D major chord--the home chord of the key and the foundation of major tonality.

The song repertoire and singing range is expanded by gradually adding additional tones--such as, "A" (SOL), next "E" (RE) and "G" (FA), and then "B" (LA). These tones encompass the range of a sixth (the first six notes of the scale), the usual singing range (or "sweet spot") of most young children. Choosing songs that include pitches higher than this range should be delayed until the child has developed skills for singing the six-note songs in tune. Expanding the singing range downward should be avoided until the voice matures enough to accomplish good tone production on the lower pitches. If a child has difficulty expanding the range in either direction, continue with songs in the basic range to provide further readiness experiences.

Singing familiar or new songs only in the Key of D should not be abandoned until in-tune singing has stabilized and until children have learned to recognize and name tonal patterns (using tonal syllables) that form the song melodies. Utilizing one key helps to stabilize and reinforce the tonal learning and avoid confusion that tends to occur when transposition to other keys is introduced too early or haphazardly.

Choosing song resources for children is challenging because many recordings and printed song collections give little attention to the young child's optimal singing range. Look for programs, such as The Tuneables, that focus on provided singing experiences that are in the best key, are sequentially arranged to appropriately expand the range, and build the tonal understandings needed for musical success and enjoyment.



Posted by Robert E. Johnson on 9 January 2012


Oh, My Child Already Gets Music. . . . Really?

Sometimes it is easy to be dismissive or even defensive when pressed to consider a new music education program for one's child. Parents sometimes say, "Oh, my child already gets music at school," or "My child has a lot of music activity."  

Posted by Robert E. Johnson on 3 January 2012

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The Young Child's Personal Music Playlist (Repertoire): A Context for Learning

Very young children (ages 0-3) need a personal "playlist" of songs and classical musical compositions to serve as their cultural context for music learning. (See blog: Let's Start at the Very Beginning: Early Exposure to Music-the "Playlist"[let-s-start-at-the-very-beginning-early-exposure-to-music-the-playlist/].)

Posted by Robert E. Johnson on 6 October 2011

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Let's Start at the Very Beginning: Early Exposure to Music the Playlist

Very young children (ages 0-3) benefit most from music learning experiences when they have had a rich exposure to music in the home starting at birth.  Such exposure gives young children a personal repertoire of songs and instrumental compositions that become part of the cultural fabric of their everyday lives. Let's call it their "playlist". This is their readiness for learning music in a music education program, such as The Tuneables.

Posted by Robert E. Johnson on 6 October 2011

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The Early Stages of Music Learning

The foundation of a young child's music learning is built on aural (hearing) experiences. These learning experiences progress in three stages: 1. stimulus, 2. recall, and 3. discrimination. Parents and teachers should be aware of these important music learning stages. For any one of them to be missing or partially included reduces the child's learning opportunities and the potential for future musical growth.

Posted by Robert E. Johnson on 14 August 2011

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Listening to Background Music and Music Instruction in Brain Development

When the question arises as to whether playing recorded background music for young children provides any benefit, the answer must be, "Yes." This is a convenient and pleasurable way to introduce children to the music of their culture and allow them to become familiar with a repertoire of songs and other compositions. In addition, when the music selected for listening is sufficiently complex, like Mozart's, some benefit to increased intelligence may occur. Most importantly, these listening experiences provide the readiness for structured music instruction.

Posted by Robert E. Johnson on 21 June 2011

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Why Should Young Children Listen to Mozart's Music?

Parents often ask, "What recordings should I have my children listen to?" High on the list of recommendations are compositions by Mozart and his contemporary, Haydn. Among the many reasons given for choosing these two composers, and others like them, is that their music is highly suited to stimulate brain development in young children as well as providing an excellent foundation upon which to develop basic concepts of music.

Posted by Robert E. Johnson on 13 October 2010

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